Between Jesus and the Market: The Emotions That Matter in Right-Wing America (Duke University Press, 1997); The Subject's Tragedy: Political Poetics, Feminist Theory, and Drama (The University of Michigan Press, 1992); Editor, with Julia Lesage: Media, Culture, and the Religious Right (University of Minnesota Press, 1998). "God Goes Corporate," New Labor Forum, January 2005; "Performing Virtual Whiteness: George Gilder's Techno-Theocracy," Cultural Studies, Fall 2003; "Performing Capital in Caryl Churchill's Serious Money," Theatre Journal, October 1999; "The Sanitized Spectacle: What's Birth Got to Do With It?" Adrienne Kennedy's A Movie Star Has to Star in Black and White," Theatre Journal , March 1992; "Performing Iimperialist Fundamentalism(s)," forthcoming in Spectacles of Religiousity, ed. Ayshia Galvez, New York University Press; "Chained to the Bed: Violence and Abortion in Keely and Du," in Staging Resistance: Essays in Political Theatre, eds. Jenny Specer and Jeanne Collevan (University of Michigan Press).