Books 

• Eclipsed Cinema: The Film Culture of Colonial Korea (Edinburgh University Press, 2017)

• The Handbook of North Korean Cinema. Co-edited with Travis Workman and Immanuel Kim(Bloomsbury, 2025)

  Select Articles

• “Stars without Glamor: Moon Ye-bong and the Making of Socialist Stars in North Korea.” In The Handbook of North Korean Cinema, edited by Dong Hoon Kim, Travis Workman and Immanuel Kim. London: Bloomsbury, 2025.
• “An Interview with the Director Nick Bonner” In The Handbook of North Korean Cinema, edited by Dong Hoon Kim, Travis Workman and Immanuel Kim (London: Bloomsbury, 2025)
• “Disaster and the Landscape of the Heart in Asako I & II.” In Eco-disasters in Japanese Cinema, edited by Rachel DiNitto. New York: Columbia University Press, 2024.
• “Benshi as a Transcolonial Practice: Benshi and Byeonsa in Korea.” In The World of the Benshi, edited by Daisuke Miyao and Michael Emmerich, Los Angeles: the Yanai Initiative and the UCLA Film & Television Archive, 2024.
• “Producers of Parasite and the Question of Film Authorship: Producing a Global Author, Authoring a Global Production.” In The Soft Power of Korean Wave, edited by Youna Kim, London and New York: Routledge, 2021.
• “Comrade Kim Goes Global: Reconfiguring North Korean Cinema in a Global Context.” Situations: Cultural Studies in the Asian Context (September 2020).
• “Cinema Studies.” (Lead author, with Hye Seung Chung, Ji-Yoon An, and Trace Cabot) In Korean Communication, Media, and Culture: An Annotated Bibliography, edited by Kyu Ho Youm and Nojin Kwak. Lanham, MD: Lexington Books, 2018.
• “The Politics and Poetics of North Korean Juche Cinema.” Asian Cinema (October 2014).
• “Performing Colonial Identity: Byeonsa, Colonial Film Spectatorship, and the Formation of National Cinema in Korea under Japanese Colonial Rule.” In Oxford Handbook of Japanese Cinema, edited by Daisuke Miyao. Oxford, UK: Oxford University Press, 2014.
• “Segregated Cinemas, Intertwined Histories: The Ethnically Segregated Film Cultures in 1920s Korea under Japanese Colonial Rule.” The Journal of Japanese and Korean Cinema 1, no. 1 (2009). In Japanese Translation: “分離されたシネマ、絡み合う歴史――日本植民地支配下の一九二〇年代朝鮮映画文化.” In 日本映画史叢書14:  観客へのアプローチ (Japanese Film History Series, vol. 14: Approaches to Audiences), edited by Hideaki Fujiki, Tokyo, Japan: Shinwasha, 2011.