What's the Beef with the New Food Pyramid?
When the US Department of Health and Human Services announced a new set of dietary guidelines in January, they flipped the old guidelines upside down, putting an emphasis on red meat and dairy. Hannah Cutting-Jones, a global studies assistant professor in the College of Arts of Sciences, dives into the history of the food pyramid and the impacts of the new guidelines.
“While many of us may not follow USDA advice closely,” she added, “these documents shape public policy and impact funding for school lunches, military bases, hospitals and SNAP benefits across the country.”
Cutting-Jones teaches courses in the Food Studies Program, which is a part of the Schnitzer School of Global Studies and Languages. She often contributes her expertise on protein and food studies to publications like the New York Times.
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What’s Happening in CAS?
What happens when the food pyramid gets flipped? Schnitzer School of Global Studies and Languages Assistant Professor Hannah Cutting-Jones dives into the new food pyramid announced by the US Department of Health and Human Services, and the impacts of the new guidelines.
Also in the February CAS Connection issue, read how a two-year prestigious Oregon fellowship is bringing a professor's visions to life, an alum who is a tenure-track faculty member at Washington University continuing research she did at the UO, a 100-level computer science course teaching AI — and more.
Undergraduate Studies
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Meet our Dean
In the College of Arts and Sciences (CAS), we are committed to excellence in research and teaching, student success, and diversity, equity, and belonging.
A liberal arts education—one that offers a breadth of intellectual approaches and perspectives and depth in a major discipline—is the foundation to a purposeful life as a life-long learner, engaged citizen, and leader. The skills you will learn here—from written and verbal communication to analytical and quantitative reasoning, to compassion and understanding—are those that employers seek and will open the door to a wealth of opportunities.
You will find more than 50 majors and a multitude of minors within CAS, and seemingly endless opportunities for personal exploration and discovery. Whether you are an incoming first-year student, a grad student or a transfer student, you can map an exciting future and be part of a fun, warm, engaged liberal arts community here. Come join us. And go Ducks!
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Happening at CAS
11:00 a.m.
Please join the Department of Indigenous, Race, and Ethnic Studies for a talk with Shane T. Moreman, PhD, Department of Communication, California State University, Fresno, titled “Displaced Practices of Discursive Change Circulations of Social Justice Ephemeralities within a Leather Bar Context.”
"While not the only ones, three normative discourses still dominate U.S. Western society: Whiteness, masculinity, and heterosexuality. As a critical communication scholar working through a performance studies paradigm, my work codifies these discourses with the goal of recognizing moments of social justice reconstitutions. My latest communication performance ethnography focuses on discursive interactions within a leather gay bar—Falcon—located in a mostly commercial neighborhood on the northeast side of a major U.S. northwestern city. I am drawn to learn how Whiteness and its adjacent cis male and masculine positionalities are circulating within contemporary, shifting registers of social codes around race/ethnicity, gender, and sexuality. As the world changes, how are these discourses adapting and changing? Steeped within the Whiteness, cis-maleness, and masculinity of a leather gay bar context, Falcon is a context for a bar culture that modulates and incorporates macro-level discursive conceptions into its localized performative acts all situated within contemporary frameworks. Influenced by Gloria Anzaldúa, Maria Lugones, and José Esteban Muñoz, I embrace a ontoepistemological approach so as to empirically cruise Falcon for creativity that disrupts normative reductions and advances complex co-existence. As Whiteness and its adjacent cis male and masculine positionalities co-mingle with contemporary expressions of nonnormative race/ethnicity, gender, and sexuality, I observe moments of co-mmuning and possibly co-muting with transness, nonbinariness, and gender diversity. When normativity tries to adapt to queer worldmaking, how are those adaptations manifested in the moment? In what ways are social codes reconfigured to generate a better presence? And, as queer worldmaking is ephemeral, what might we move forward with to improve the normative worlds in which we all predominantly must exist—at least for now? I begin answering those questions as a joto with a tequila soda in my hand at a mostly White, mostly cis male, and mostly masculine leather gay bar named Falcon."
6:30–10:00 p.m.
Join the Undergraduate Anthropology Club for a celebration of all things anthropology with food, crafts, activities, and student presentations! Everyone is welcome to attend.
7:00–9:00 p.m.
In honor of International Mother Language Day, the Northwest Indigenous Language Institute (NILI) at the UO invites you to attend an evening of film and conversation to raise awareness about revitalizing Indigenous languages and cultures.
Two documentaries will be screened. The first, Kla-Mo-Ya Language (20 min), by UO student filmmaker Princess (Princi) Bass-Mason, introduces people learning the Klamath, Modoc and Yahooskin languages, which are being revitalized by the Klamath Tribes of Oregon. The second film, And Knowledge To Keep Us (58 min), by UO journalism professor Torsten Kjellstrand, follows a Sugpiat culture and language camp that takes place annually on remote Kodiak Island in Alaska.
Immediately following the screening, a panel consisting of the two filmmakers and language revitalization practitioners will hold a conversation with the audience. Tickets are sliding scale and by donation only: suggested donation of $10 for students, $20 for adults. All proceeds will go towards the critical work at NILI helping to restore and revitalize languages of Oregon and beyond.
https://www.eugenearthouse.com/movie/and-knowledge-to-keep-us-wq
7:30 p.m.
Shakespeare’s immortal comedy of love and intrigue! The people of Messina are determined to celebrate the impending marriage of Hero and Claudio with all-out merry-making, and the Prince (Don Pedro) decides getting the always-sparring Benedick and Beatrice to fall in love is the ultimate prank. Unfortunately, the Prince’s evil brother, Don John, sees a perfect opportunity to stir up trouble, causing a huge uproar that almost destroys everything. Luckily, the inept Constable Dogberry and his band of goofy Watchmen save the day!
By William Shakespeare Directed by Jerry Ferraccio Robinson Theatre (Grand Reopening!)
February 13, 14, 20, 21, 22*, 27, 28, March 1* 7:30pm evening performances and 2:00pm* matinees