Portrait of Jeffrey S. Librett

Jeffrey S. Librett

Professor of German & Scandinavian
German & Scandinavian, Schnitzer School of Global Studies and Languages
Phone: 541-346-0649
Office: 204B Agate Hall, 1250 University of Oregon, Eugene OR 97403
Office Hours: Spring 2026: 12:00 to 1:00 PM in Lawrence Hall Café by appointment only (use email to make appointments, please).
Research Interests: German, French, and English letters; Enlightenment, Counter-enlightenment, Romanticism, and Modernism; literature, philosophy, critical theory, inter-arts discourse, Judaic Studies, psychoanalysis, film

Research Interests

Jeffrey S. Librett (Ph.D. Cornell University, 1989, Comparative Literature) is Emeritus Professor of German, and Affiliated Faculty Member in Comparative Literature, Judaic Studies, and Philosophy, currrently teaching half-time (through Fall 2028).  

Professor Librett has written The Rhetoric of Cultural Dialogue: Jews and Germans from Moses Mendelssohn to Richard Wagner and Beyond (Stanford University Press, 2000), and Orientalism and the Figure of the Jew (Fordham, 2015), and published numerous essays on German literature, philosophy, psychoanalysis, Jewish Studies, and theory from the eighteenth century to the present.

He is co-editor (with Lucie Cantin and Tracy McNulty) of A Psychoanalysis for a Reemergent Humanity: the Metapsychology of Willy Apollon (SUNY Press, 2025).  

He has translated a number of texts from German and French into English, including Jean-Luc Nancy’s The Sense of the World (University of Minnesota Press, 1997) and Of the Sublime: Presence in Question, by Michel Deguy et al (State University of New York Press, 1993).

He previously served as (founding) editor of Konturen. 

His current research focuses on psychoanalysis and the aesthetics of modernism, more specifically on the topics of fantasy and anxiety.  

Recent courses include: Literary Theory; Aesthetics of Anxiety in the Modernist Moment; The Modern Subject in Perspective(s); On an Insubstantial Subject (Heidegger, Levinas, Lacan, Ashbery, Koethe); Narrative and Narrative Theory; War, Violence, and Trauma; Existentialism; Consciousness and its Discontents: Phenomenology and Psychoanalysis; Surrealism and Psychoanalysis; Hypnosis in German Cinema.  

 

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