Courses:

Majors Seminar, Theatre History, Playwriting, Contemporary Arab-American Theatre, and Middle Eastern Theatre.

Pedagogical Statement:
The classroom and rehearsal hall are places for intellectual growth, creative expression, and open dialogue. I am dedicated to a pedagogy that encourages students to achieve their highest potential through collaboration, exploration, and inspiration. I believe that the theatre is a necessary forum in society that transforms audiences and theatre artists alike.

Research Interests:
Contemporary Arab-American Theatre and Performance, Contemporary Theatre, Ethnic Studies, Critical Race Theory, Arab-American Studies.

Awards and Accomplishments:

Williams Fund Instructional Grant, 2024, Certificate of Merit, Directing, Kennedy Center/American College Theatre Festival, 2022, Fund for Faculty Excellence Award, 2021, Faculty Research Mentor Award, 2021, Ernest G. Moll Research Professorship, 2019-2020, NEH Summer Institute Summer Scholar, 2017, Humanities and Creative Ars Award, 2016, Working Group/Active Teaching & Learning, 2016, Rippey Innovative Teaching Award, 2016, Global Oregon Faculty Collaboration Award, 2016, Rutherford Initiative for Middle Eastern Studies, 2015, Certificate of Merit, Directing, Kennedy Center/American College Theatre Festival, 2014, Junior Professor Development Award, 2014, OHC/CAS Faculty Author Subvention Grant, 2014, U.C. Eugene V. Cota-Robles Fellowship, 2007-2011, UCLA Summer Research Mentorship, 2009, UCLA Center for World Languages Scholarship, 2008, President’s Award American Druze Society 2007, Master Teacher/Outstanding Service Award, Bend Theatre for Young People, 2003.

Publications:
Until I Return: The Selected Works of Ismail Khalidi. Bloomsbury Methuen Drama, 2025 (co-edited with Hala Baki).

The Vagrant Trilogy: Three Plays by Mona Mansour. Bloomsbury Methuen Drama, 2022 (co-edited with Hala Baki).

Middle Eastern American Drama: Communities, Cultures and Creators, 2021.

“Female Arab American Solo Performance and Stand-Up: A Burgeoning Genre of Arab American Art,” Sajjilu Arab American: A Reader in SWANA Studies. Edited by Louise Cainkar, Pauline Homsi Vinson, Amira Jarmakani. Syracuse University Press, 2021.

“Arab and Arab American Theatre: A Genre Absent from the American Theatrical Canon,” co-authored with Samer Al-Saber in Troubling Traditions: Canonicity, Theatre, and Performance in the US, ed. by Lindsey Mantoan, Matthew Moore, and Angela Farr Schiller. Routledge Press.

"Middle Eastern American Theatre: Communities, Cultures and Artists." Bloomsbury Methuen Drama, 2021.

Heather Raffo’s Iraq Plays: The Things That Can’t Be Said, Bloomsbury Methuen Drama, 2021.

“Teaching Middle Eastern Theatre: Challenges, Opportunities, and Rewards,” an article, in Theater in the Middle East: Between Performance and Politics, ed. by Babak Rahimi, Anthem, 2020.

"ReOrient 2019: A Homecoming for Golden Thread Alumni” https://goldenthread.org/posts/reorient-2019-a-homecoming-for-golden-thr...

Epilogue, “Casting a Movement: The Welcome Table Initiative”. Routledge Publishing, 2019.

The Selected Works of Yussef El Guindi, Bloomsbury Methuen Drama, 2019.

“Theater: Plays by Women Playwrights, Directors, and Producers in Islamic Cultures” in Encyclopedia of Women in Islamic Cultures, co-authored with Zeina Salame. Koninklijke Brill N.V., 2018.

“The Talented Ones” Review, Theatre Journal 70 (2018), pp. 255-256.

Six Plays of the Israeli-Palestinian Conflict, McFarland & Co., Inc. Publishers, 2018 (co-edited with Jamil Khoury and Corey Pond).

Arab American Drama, Film and Performance: A Critical Study, 1908 to the Present, McFarland & Co., Inc. Publishers, 2015.

Four Arab American Plays: Works by Leila Buck, Jamil Khoury, Yussef El Guindi, and Lameece Issaq & Jacob Kader, McFarland & Company, Inc., Publishers, 2013.

“‘There’s Nothing Funny About Your People”: Muslim American Humor in the Post 9/11 World,'” an article, in Muslims in American Popular Culture, ed. by Iraj Omidvar and Anne Rypstat Richards, Praeger, 2014.

“Re-evaluating the Syrio-American School: Gibran, Rihani and Naimy: East-West Interactions in Early Twentieth-Century Arab Literature by Aida Imangulieva,” a Book Review, Al-Jadid Magazine, vol. 16, no. 62 (2010)

“Understanding Who We Are: A Country Called Amreeka: Arab Roots, American Stories by Alia Malek,” a Book Review, Al-Jadid Magazine,vol. 16, no. 62 (2010).

“Loving His Country Through ‘Metadrama’: Alfred Farag and the Egyptian Theater,” a Book Review, Al-Jadid Magazine, vol. 15, no. 61 (2009).

“Embracing Inbetweeness: Race and Ethnicity in the Early Syrian American Diaspora by Sarah M.A. Gualtieri,” a Book Review, Al-Jadid Magazine, vol. 15, no. 61 (2009). http://aljadid.com/books/Embracinginbetweenness.html

“Nahda’s Children: Conscience of the Nation: Writers, State, and Society in Modern Egypt by Richard Jacquemond,” a Book Review, Al-Jadid Magazine, vol. 15, no. 60 (2009). http://aljadid.com/books/NahdasChildren.html

“Restaging Culture: Pacific Overtures 30 Years On,” Thompson Gale Arts & Humanities Community News, March 2005.

“The Shifting Shape of Recent Performance Art,” Thompson Gale Arts & Humanities Community News, January 2005.

“Writing from the Hyphen: Arab-American Playwrights Struggle with Identity in the Post-9/11 World,” Thompson Gale Arts & Humanities Community News, September 2004.

“Thirty-nine Years and Counting: A Look at East West Players’ ‘New Perspectives,’” Thompson Gale Arts & Humanities Community News, July 2004.

“Phoenix Ascending: Seattle’s ACT Theater Rises from the Ashes,” Thompson Gale Arts & Humanities Community News, May 2004.

“Laurence Olivier,” St. James Encyclopedia of Popular Culture, Detroit: St. James Press, 2000.

“Community Theater,” St. James Encyclopedia of Popular Culture, Detroit: St. James Press, 2000.

“Death of a Salesman,” St. James Encyclopedia of Popular Culture, Detroit: St. James Press, 2000.

“The Glass Menagerie,” St. James Encyclopedia of Popular Culture, Detroit: St. James Press, 2000.

Selected Production Credits:

Director: Frankenstein: Playing with Fire, University Theatre, 2024. Director: She Kills Monsters, University Theatre, 2022. Director: God Said This, University Theatre, 2022. Director, Art, Oregon Contemporary Theatre, 2021. Co-Director, Zafira and the Resistance, New Arab American Theatre Works @ The Guthrie Theatre, Minneapolis, 2019. Director, Pilgrims Musa and Sheri in the New World, Minority Voices Theatre @ The Very Little Theatre, Eugene, 2018. Scenes From 70* Years, Golden Thread Productions, San Francisco, 2019. New Threads, Golden Thread Productions, 2017. Lead Director for Semitic Commonwealth, Silk Road Rising, 2017. Director/Writer: Talib, Silk Road Theatre Project, Chicago, 2010; Writer: Farewell Beloved, Royal Jordanian Film Commission Screenwriters’ Lab, Jordan, 2010; Hamlet, Bend Theatre for Young People, Oregon, 2007; The Love of the Nightingale, Portland Community College Theatre Arts, 2007; Urinetown, Portland Community College Theatre Arts, 2006; Precious Stones, Silk Road Theatre Project, 2003; Lysistrata, Lincoln Center Director’s Lab, 2003.