“Gay, Queer or Dimensional? Modes of Reading Bisexuality on Torchwood,” in Literature, Popular Culture, and Bisexuality, edited by Ian Kinane. Routledge (forthcoming). [peer reviewed]
Experimental Critical Writing: A Hybrid Approach to Advanced Composition. Broadview Press (forthcoming).
“How Estrangement and the Transgender Look Queers Spectatorship in Science Fiction Media,” in The Handbook of Transgender Science Fiction, edited by Sabine Sharp and Doug Vakoch. Routledge (forthcoming). [peer reviewed]
Co-editor, Science and Culture: Readings for Writers, UO Libraries, 2023. [Oregon Open Education Resource]
“Science Fiction Paradox and the Transgender Look: How Time Travel Queers Spectatorship in Predestination.” Jump Cut: A Review of Contemporary Media, vol. 60, 2021 [peer reviewed]
Co-editor, The Culture of Science: A Casebook for Writers, 2nd edition, UO Composition Program, 2019 [Oregon Open Education Resource]
“Speculative Fictions, Bisexual Lives: Changing Frameworks of Sexual Desire.” Diss. University of Oregon, 2015.
“Gay, Queer or Dimensional? Modes of Reading Bisexuality on Torchwood,” Journal of Bisexuality, vol. 15, no. 3, 2015, pp. 414-434 [peer reviewed]
“Dimensional Sexuality: Exploring New Frameworks for Bisexual Desires,” Sexual and Relationship Therapy, vol. 29, no. 3, August 2014, pp. 320-38 [peer reviewed]
“Queer Matters in The Dark Night Returns, Or Why We Insist on a Sexual Identity for Batman,” in Riddle Me This Batman! Essays from the Universe of the Dark Knight, edited by Kevin K. Durand and Mary K. Leigh, McFarland, 2011, pp. 104-123.
